Contemporary still life by Virginia Panichi, Italy 2025. Made using a mixed technique of acrylic and oil on canvas.
The large-format, vertical composition depicts a vessel with curved forms, geometric motifs, and stylized plant elements. The work features a figurative treatment of simplified forms, with defined contours, reduced perspective, and visible brushstrokes.
Contemporary Italian Brutalist-style bench, composed of two solid oak legs with rounded upper corners and stepped vertical reliefs. The seat is upholstered in white wool bouclé.
PL19 “Tre Pezzi” model seats, designed by Franco Albini and Franca Helg in 1959. Vintage examples, Italy, circa 1970.
Crafted with a metal frame and hand-upholstered by LA Studio in Mongolian goatskin. The geometry of the metal contrasts with the softness and volume of the leather, accentuating the sculptural presence of this iconic Italian design.
Their value lies both in the uniqueness of the design and in their status as historical pieces, testaments to a pivotal era in 20th-century Italian design. The handcrafted upholstery adds a new material expression that enhances the character of these armchairs.
An iconic design of 20th-century Italian furniture, whose historical significance led Cassina to reissue it in 2008.
Italian-made lamp with a cylindrical shade, dating from the 1970s. It consists of a structure of three flat metal elements joined at the base. Its vertical supports frame the ivory-toned fabric shade, which diffuses a warm and soft light.
Italian table lamp from the 1980s, made from a single piece of blown Murano glass, without seams or molds. It features a sculptural silhouette with fine vertical lines in shades of red and white.
Its design is inspired by iconic Venini pieces such as the “Fungo” lamp or the Tessuti Battuti vases by Carlo Scarpa.
Callimaco lamp designed by Ettore Sottsass, produced by Artemide. Composed of a conical steel base and diffuser, aluminium stem and chromed steel handle. Italy 1980.
“Petals” coffee table, designed by Jorge Zalszupin for L'Atelier, Brazil around 1959.
The table is composed of eight petal-shaped elements, made of curved plywood covered with rosewood veneer. They are arranged radially around a central iron structure.
Its construction reflects Zalszupin's mastery of materials and joinery techniques, as well as his search for expressive forms through solutions that were unusual in Brazil at that time.
A contemporary wall sculpture designed by Jordi Ribaudí. Handcrafted from Ubrique cowhide, it features an organic, sinuous form that reinforces its sculptural character. The artisanal work with the leather adds texture, volume, and depth, making the piece a decorative element with a strong visual presence.
The Soriana sofa, designed by Tobia Scarpa and produced by Cassina, is a remarkable piece of 1960s Italian design. It features an elegant chromed steel frame and is upholstered in eco-friendly green fabric, combining style and comfort exceptionally well.
Afra (1937-2011) and Tobia (1935-) Scarpa, both graduates of the Venice Institute of Architecture, are renowned for their collaboration in design. Tobia initially worked with the Italian glass manufacturer Venini. Later, he and Afra founded their own design firm in 1960.
Throughout their careers, they collaborated with leading Italian and international brands, leaving a significant mark on furniture and architectural design. Their portfolio includes collaborations with Flos, Gavina, B&B Italia, Cassina, and Knoll International, as well as numerous interior design projects worldwide.
The Soriana Tobia sofa not only reflects Scarpa's innovative vision but also represents a lasting legacy in contemporary furniture design. Furthermore, it stands out for its distinctive design and globally recognized craftsmanship.
Measurements: W 170 x D 100 x H 35 / 65 cm
Bibliography
G. Gramigna, *Repertorio del Design Italiano 1950-2000 per l'Arredamento Domestico*. Turin: Allemandi, 2003, p. 318.
G. Bosoni, *Made in Cassina*. Milan: Skira, 2008, pp. 200-201.
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