CONTEMPORARY CONSOLE DESIGNED BY SUPEREGO, ITALY
Rectangular console table designed by Milanese Studio Superego, made in multi-color and transparent plexiglass with eight centimetres thickness and feet of the legs finished in brass.
Studio Superego has embarked on a journey through the universe of the visual arts, in continuous comparison between fantasy and reality, with this spirit our projects/objects come to life.
Measurements: W 130 x D 50 x H 80 cm
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Contemporary coffee table with cylindrical structure in black lacquered metal and solid brass profiles. Top made up of a colored concave mirror and transparent glass on the top. Italy XXI century.
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Memphis style side table made with a three-foot brass base with a gold-plated truncated cone shape and a high-gloss lacquered solid wood top. Germany.
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Measurements: W 48 x D 48 x H 61 cm
The Memphis Style, spearheaded by Ettore Sottsass and founded in 1981, marked a significant break with the sobriety of 20th century design. This movement was characterized by its colorful and bold approach, filled with eye-catching patterns and prints. Memphis's first collection, presented at the Milan Furniture Fair in 1981, challenged the conventions of contemporary design.
Memphis' work philosophy was well summed up in the phrase: “A table may need four legs to function, but no one says that all four have to be equal.” This statement reflects the creative mindset of the movement, which embraced the idea that creativity should not be limited by rigid rules.
The Memphis collection, made up of designers such as Hans Hollein, Arata Isozaki, Andrea Branzi and Nathalie du Pasquier, was notable for its boldness and lack of conformity to established design norms. His creations were eclectic and often challenged traditional aesthetics, using vibrant colors, geometric patterns and unusual shapes.
Organically shaped coffee table designed by LA Studio made with a solid wood structure and covered in brass. Italy.
Measurements: W 161 x D 89 x H 36 cm
Table «xxx» designed by Johanna Grawunder in 2009 and edited by Glas Italia. Made of transparent pink, orange and yellow glass. 6 + 6 mm stratified glass top in pink. 2017.
Measurements: Diameter 80 x H 30 cm
Johanna Grawunder is a designer and artist working on a wide range of projects, ranging from color installations and large street lighting projects to architectural interventions, interior designs and limited edition furniture.
Additionally, he has created lighting collections for Carpenters Workshop Gallery in the United States and Europe. His versatility has allowed him to collaborate with prominent architects and designers, creating custom lighting installations for his projects. In addition, he has designed products for important companies such as Flos, Boffi and GlasItalia.
With a background in architecture, Johanna Grawunder was drawn to the world of lighting from the beginning of her career. She has sought to integrate architectural principles and scale, unconventional building materials and advanced lighting technology into her designs.
His work is in collections at various museums, including the High Museum of Atlanta, LACMA, CNAP, SFMOMA, the Museum of Fine Arts, Houston, the Art Institute of Chicago, the Denver Art Museum, and the Musée des Arts Décoratifs. from Paris.
Johanna Grawunder has left a significant mark on the world of contemporary art and design with her innovative lighting designs and interdisciplinary approach.
«Guanabara» dining table designed by Jorge Zalszupin and edited by his manufacture L’Atelier. Top made of jacaranda wood and base made of concrete covered with leather. Brazil 1970
Measurements: W 305 x D 120 x H 78 cm
Jorge Zalszupin was born in 1922 in Poland, but his career in design really took off after emigrating to Brazil after World War II. His association with renowned modernist architect Oscar Niemeyer had a significant impact on his style and aesthetic.
During that time, influenced by Niemeyer, Le Corbusier and Lúcio Costa, the Brazilian variant of modernist architecture was developed. The furniture designed in Zalszupin's studio perfectly reflects this period of design history, combining sensuality and formal simplicity. His work contributed notably to the rich tradition of Brazilian design in the context of the modernist movement.
In this Guanabara dining table, Jose Zalszupin uses a simple structure supported by two wooden supports, on which rests a solid marble top. What is notable about his design is the way in which he gives prominence to the materials used.
The grooves on the surface of the table are the only decorative element, and the meeting between marble and wood becomes a focal point that provides tension and contrast to the work. This approach highlights the natural beauty of materials and showcases their ability to create design pieces that celebrate the essence of the elements that compose them.
Literature: Santos, Mario Cecília Loschiavo dos. Jorge Zalszupin. Modern design in Brasil. Sao Paulo: Olhares, 2014, p. 142 – 145 – Móvel. Brasileiro Moderno. Brasil: FGV Projectos, 2012, p. 269.
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