HOTEL OTAWA, PER BARCLAY, 1992
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COLOUR PHOTOGRAPHY / COLOUR PHOTOGRAPHY
Per Barclay, trained in Art History, completed his studies in Italy until 1994 and settled in Paris, where he currently lives. He is a multidisciplinary artist who works in sculpture, photography and installation. The two main aspects on which his work is based are, on the one hand, installations, carried out inside and outside buildings, characterised by their use of liquid elements such as water or oil and, on the other hand, photography, sometimes as a record of his interventions, sometimes conceived as sculpture. In the case of photography, this becomes just another means to an end; what is really important for this artist is the result, not the technique itself. His photographs reflect on the human condition, which, according to him, tends towards violence, towards competition with his fellow human beings. Works that are born from the gaze of a sculptor, as he himself indicates.
He has exhibited at the Fondazione Merz (Turin, Italy, 2008), the Palacio de Cristal del Museo Nacional Centro de Arte Reina Sofía (Madrid, 2003), Koldo Mitxelena Kulturunea (San Sebastián, 2002), the Centre de Création Contemporaine (Tours, France, 2001) and the Venice Biennale (1990), among others. His work forms part of national and international collections such as the Museo Nacional Centro de Arte Reina Sofía (Madrid), the Fundación Telefónica (Madrid), the Musée d'Art Moderne et d'Art Contemporain (Nice, France), Es Baluard Museu dArt Modern i Contemporani de Palma and the Bergen Kunstmuseum (Bergen, Norway).
Measurements: 227 x 170 cm
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»Phaistos», 2010
Pigment, resin and varnish on board.
Darío Urzay: He was born in Bilbao on December 13, 1958.
He studies Fine Arts at the University of the Basque Country. . In 1983 he obtained the Gure Artea award, in 2005 his work was recognized with the National Prize for Graphic Art and the Excellence Work Award at the Beijing Biennial. The Guggenheim Museum Bilbao, the Reina Sofía National Museum Center in Madrid, the Deutsche Bank Collection in London, the Patio Herreriano Museum in Valladolid or the ARTIUM museum, among others, should be highlighted.
 
Measurements: W 150 x D 340 cm
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"No title"
Resin on wood
Fernando de Ana
If there is an art gene, Fernando de Ana (Talavera de la Reina, 1979) and a graduate in Fine Arts, carries it with him. Since he was born he has been surrounded by oil and pencils, spatulas and turpentine. He belongs to the third generation of a saga of artists that began at the beginning of the 19th century with his great-uncle, José Pérez, painter and first director of the Cádiz Museum of Art, and continued with his father, Juan Carlos Jiménez, also a painter and Doctor. in Fine Arts.
If his ancestors delighted in light and still lifes, Fernando de Ana has also wanted to explore other more contemporary languages, working first as an illustrator - he has received several international awards - and as a cartoonist, to later soak up design and the avant-garde Dutch, a pioneer country in this field, where he combined his artistic work with that of art director for more than a decade. His work has been exhibited in Prague, Bologna, Amsterdam or London, among other cities and has been selected and awarded in different art competitions.
From that transversality of influences and from that symbiosis of classic and avant-garde references, now comes his maturity as an artist. Away from his comfort zone, the artist opts for his own language in which emotions prevail over the metallic. His way of being in the world beats in his work: human relationships marked by sex, loneliness and melancholy, anxiety as a catalyst for art, obsessions spinning in a spiral, repetition of patterns, morbid agitated with tenderness infinite, the frustrated Innocence that still breathes, moving it as a motor. Fernando de Ana's work responds to a mature creative process, built over several decades exploring different formats, where material, meaning and feeling go in the same direction. 'Forbbiden carnal', his elegant series in resin and neon, has already become an exponent by combining without complexes an apparently cold material with geometric limits with the warmth and sensuality of light, in such a way that it has achieved that both elements exchange natures.
The author undresses through this meticulous technique and tells us about his inner world, his contradictions and his fears, all crossed by Eros and Thanatos, pleasure and pain, contradiction as the very genesis of life. Each work of 'Forbbiden Carnal' shows an aspect of sentimental relationships, an instant in the relationship with the other, always complex and necessary: the arrow of first eye contact, one's own vulnerability, seduction as a totem and motor, lies and the decadent, the caress as an antidote to loneliness. Nothing better than resin, color and the symbiosis of geometry with neon to express this entire sensitive universe, which not only seeks to connect with the beauty and the terrible of the viewer, but to seduce him as well.
W 150 x D 7 x H 150
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Housing for a new man (Immeubles-Villa. Le Corbusier). No specific location, not built. 1922-29
Mineral pigmented inkjet digital printing, cotton paper
Hahnemühle Photo rag, frame and glass. Edition 5 + 2P.A
Emilio Pemjean : Born in 1971 in Chile. Architect by the Higher Technical School of Architecture of Madrid.
In his work as an Architect he has been awarded in numerous architectural competitions, his work exhibited, published in books and magazines and received various awards such as: Toulouse Photo Contest, “AL Betrayal” EFTI Madrid, “FNAC Photography Contest” Madrid, etc. He conducted workshops with famous artists such as Chema Madoz, Ciuco Gutiérrez, Manuel Rufo, Jesús Micó, etc.
Dimensions: W 145 x H 145 cm
Totem designed by Alessandro Mendini (1931-2019), made of high-gloss glazed ceramic. Composed of four separate pieces that allow it to be disassembled. Pieces signed by the artist. Italy.
Measurements: Diameter 35 x H 185 cm
Alessandro Mendini was an industrial designer, architect, and painter who played an important role in the development of Italian design. Winner of the Compasso d'Oro in 1979, his designs are characterized by his interest in the mixture of different cultures and forms of expression. His works can be found in the permanent collections of the Museum of Modern Art and the Metropolitan Museum in New York and the Georges Pompidou Center in Paris.
Bilbiography
Domus: monthly magazine on architecture, interiors, design, art. English/Italian text n. 615, March 1981
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Photograph "Family Portrait: Nikolaus, Antonius, Cristina, Soraya, Heman, Miguel..."
EDUARDO SOURROUILLE. Eduardo Sourrouille is an artist from Basauri (Bizkaia), born in 1970, with a degree in Fine Arts from the University of the Basque Country. He has had solo exhibitions like "If you could see him through my eyes" at Galerie Krisal, Geneva, Switzerland, and at Villa Edur, Museo Arte Contemporaneo ARTIUM in Vitoria-Gasteiz. He has also participated in significant group exhibitions worldwide, such as Bilbaoarte New York at Fundación Gabarrón, New York, and "Extraños en el paraíso" at Instituto Cervantes, Beijing, Tokyo.
Edition 1/3
Dimensions: W 165 x H 145 cm
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