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For Carlos Aires, music plays a very important role. In this work, he uses original vinyl records as his material. On them, he cuts, or sculpts, silhouettes of images taken from mass media directly related to the word "Disaster." Each image relates to a contemporary event, but the artist has stripped them of all the gruesome details, leaving us with a glimpse of a figure, a small mark. This small, vague silhouette is a reflection of what happens in our memory when we try to store everything that happens around us: synthesis, purification, idealism.
For Carlos Aires, music plays a very important role. In this work, he uses original vinyl records as his material. On them, he cuts, or sculpts, silhouettes of images taken from mass media directly related to the word "Disaster." Each image relates to a contemporary event, but the artist has stripped them of all the gruesome details, leaving us with a glimpse of a figure, a small mark. This small, vague silhouette is a reflection of what happens in our memory when we try to store everything that happens around us: synthesis, purification, idealism.
For Carlos Aires, music plays a very important role. In this work, he uses original vinyl records as his material. On them, he cuts, or sculpts, silhouettes of images taken from mass media directly related to the word "Disaster." Each image relates to a contemporary event, but the artist has stripped them of all the gruesome details, leaving us with a glimpse of a figure, a small mark. This small, vague silhouette is a reflection of what happens in our memory when we try to store everything that happens around us: synthesis, purification, idealism.
For Carlos Aires, music plays a very important role. In this work, he uses original vinyl records as his material. On them, he cuts, or sculpts, silhouettes of images taken from mass media directly related to the word "Disaster." Each image relates to a contemporary event, but the artist has stripped them of all the gruesome details, leaving us with a glimpse of a figure, a small mark. This small, vague silhouette is a reflection of what happens in our memory when we try to store everything that happens around us: synthesis, purification, idealism.
For Carlos Aires, music plays a very important role. In this work, he uses original vinyl records as his material. On them, he cuts, or sculpts, silhouettes of images taken from mass media directly related to the word "Disaster." Each image relates to a contemporary event, but the artist has stripped them of all the gruesome details, leaving us with a glimpse of a figure, a small mark. This small, vague silhouette is a reflection of what happens in our memory when we try to store everything that happens around us: synthesis, purification, idealism.
For Carlos Aires, music plays a very important role. In this work, he uses original vinyl records as his material. On them, he cuts, or sculpts, silhouettes of images taken from mass media directly related to the word "Disaster." Each image relates to a contemporary event, but the artist has stripped them of all the gruesome details, leaving us with a glimpse of a figure, a small mark. This small, vague silhouette is a reflection of what happens in our memory when we try to store everything that happens around us: synthesis, purification, idealism.
For Carlos Aires, music plays a very important role. In this work, he uses original vinyl records as his material. On them, he cuts, or sculpts, silhouettes of images taken from mass media directly related to the word "Disaster." Each image relates to a contemporary event, but the artist has stripped them of all the gruesome details, leaving us with a glimpse of a figure, a small mark. This small, vague silhouette is a reflection of what happens in our memory when we try to store everything that happens around us: synthesis, purification, idealism.
For Carlos Aires, music plays a very important role. In this work, he uses original vinyl records as his material. On them, he cuts, or sculpts, silhouettes of images taken from mass media directly related to the word "Disaster." Each image relates to a contemporary event, but the artist has stripped them of all the gruesome details, leaving us with a glimpse of a figure, a small mark. This small, vague silhouette is a reflection of what happens in our memory when we try to store everything that happens around us: synthesis, purification, idealism.

THE GARDEN OF EARTHLY DELIGHTS (GOLD VINYL EDITION), 2010, CARLOS AIRES

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The Garden of Earthly Delights (Gold Vinyl Edition), 2010

Carlos Aires

Vinyl discs and plexiglass.

Dimensions: 195 x 195 cm

 

For Carlos Aires, music plays a very important role. In this work he uses original vinyl as material. In them he cuts, or sculpts, silhouettes of images taken from the mass media directly related to the word Disaster. Each image is related to a contemporary event, but the artist has stripped them of all the gory details and allows us to glimpse a figure, a small mark. That small and vague silhouette is a reflection of what happens in our memory when we try to store everything that happens around us: synthesis, purification, idealism.

SKU: LA00700148 Category:

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