«FAMILY PORTRAIT III: NIKOLAUS, ANTONIUS, CRISTINA, SORAYA, HEMAN, MIGUEL…» EDUARDO SOURROUILLE 2012
VAT not included
Fotografía «Family Portrait: Nikolaus, Antonius, Cristina, Soraya, Heman, Miguel…»
Eduardo Sourrouille 2012.
Edition 1/3
Medidas: W 165 x H 145 cm
Information request
THANKS FOR YOUR INTEREST!
Related products
VAT not included
Fotografía «Family Portrait: Nikolaus, Antonius, Cristina, Soraya, Heman, Miguel…»
EDUARDO SOURROUILLE. Basauri (Bizkaia), 1970. Licenciado en Bellas Artes por la Universidad del País Vasco. Artista con exposiciones individuales entre las que podemos destacar: If you could see him through my eyes. Galerie Krisal, Ginebra, Suiza; Villa Edur. Museo Arte Contemporaneo ARTIUM: Vitoria-Gasteiz; arteBA 08.Y otras exposiciones colectivas al rededor del mundo como: Bilbaoarte New York. Fundación Gabarrón. New York,ROMA 2009. Galería Luis Adelantado. Roma; VIDEOAKT. Glogauair Berlin;Extraños en el paraiso. Instituto Cervantes, Beijing,Tokio; Paris Photo 06. Galería Luis Adelantado. Paris, entre otras.
Edition 1/3
Medidas: W 165 x H 145 cm
VAT not included
Cristina Macaya, The Bobst Library 2017
Digital printing on cotton paper Baryta fb Hahnemühle.
Cristina Macaya: studied in England and Switzerland at Tufts University, economics and French literature.
He worked for Canal Plus in France and Spain and at Univision in NY (field producer for news). He completed his photography studies at ICP (International Center of Photography) in New York. She alternates her work online Editorial and as an artistic photographer. It should be noted the thoroughness with which each photograph works, from its idea, edition to its printing.
Measurements: W 153 x H 210 cm
VAT not included
"No title"
Resin on wood
Fernando de Ana
If there is an art gene, Fernando de Ana (Talavera de la Reina, 1979) and a graduate in Fine Arts, carries it with him. Since he was born he has been surrounded by oil and pencils, spatulas and turpentine. He belongs to the third generation of a saga of artists that began at the beginning of the 19th century with his great-uncle, José Pérez, painter and first director of the Cádiz Museum of Art, and continued with his father, Juan Carlos Jiménez, also a painter and Doctor. in Fine Arts.
If his ancestors delighted in light and still lifes, Fernando de Ana has also wanted to explore other more contemporary languages, working first as an illustrator - he has received several international awards - and as a cartoonist, to later soak up design and the avant-garde Dutch, a pioneer country in this field, where he combined his artistic work with that of art director for more than a decade. His work has been exhibited in Prague, Bologna, Amsterdam or London, among other cities and has been selected and awarded in different art competitions.
From that transversality of influences and from that symbiosis of classic and avant-garde references, now comes his maturity as an artist. Away from his comfort zone, the artist opts for his own language in which emotions prevail over the metallic. His way of being in the world beats in his work: human relationships marked by sex, loneliness and melancholy, anxiety as a catalyst for art, obsessions spinning in a spiral, repetition of patterns, morbid agitated with tenderness infinite, the frustrated Innocence that still breathes, moving it as a motor. Fernando de Ana's work responds to a mature creative process, built over several decades exploring different formats, where material, meaning and feeling go in the same direction. 'Forbbiden carnal', his elegant series in resin and neon, has already become an exponent by combining without complexes an apparently cold material with geometric limits with the warmth and sensuality of light, in such a way that it has achieved that both elements exchange natures.
The author undresses through this meticulous technique and tells us about his inner world, his contradictions and his fears, all crossed by Eros and Thanatos, pleasure and pain, contradiction as the very genesis of life. Each work of 'Forbbiden Carnal' shows an aspect of sentimental relationships, an instant in the relationship with the other, always complex and necessary: the arrow of first eye contact, one's own vulnerability, seduction as a totem and motor, lies and the decadent, the caress as an antidote to loneliness. Nothing better than resin, color and the symbiosis of geometry with neon to express this entire sensitive universe, which not only seeks to connect with the beauty and the terrible of the viewer, but to seduce him as well.
W 150 x D 7 x H 150
VAT not included
Lady of Shalott, series »Old Father Thames»
Year 2018
Julia Fullerton-Batten
The world of Julia Fullerton-Batten (Bremen, Germany, 1970) in the series "Teenage Stories" is that of Alice in Wonderland. Alice's character takes on different faces of her characters as if we were at a masked ball. Sometimes Alicia walks sleepwalking, other times she contemplates her reflection like Narcissus and other times she seems beaten or in full reverie. This psychological approach to girls in transition to adolescence is still strangely disturbing, full of questions and authenticity. The game of its characters is nothing but an artifice that disguises a decisive moment in their lives: the age of interrupted innocence. This idea of transition is developed in the project "In Between" with an extraordinary visualization of a suspended time.
Julia generously and sincerely offers us an autobiographical work displaying an unlimited technical mastery and a staging calculated to the millimeter that does not take away a bit of freshness and spontaneity. In his latest works he looks for a context and alternative protagonists that he interrogates with equal skill, as in the series "Unadorned", "Feral Children" and "Old Father Thames".
W 101 x D 0.5 x H 76
VAT not included
Kinetic composition «Zebra 17001» by Josecho López Llorens made in acrylic on canvas. Unique edition 2017.
Josecho López: artist and designer linked to the Minimalist movement and Geometric Art. His works range from drawing and painting to sculpture, developing structures in three dimensions, with simple shapes, precisely defined. His works evolve from a square, a circle or a simple straight line, seeking a harmonious final set in the that the symmetry of the empty spaces is very important, as well as the balance of the visual weight of the work as a whole.
Measurements: W 123 x H 123