“BAUEN VII” EMILIO PEMJEAN, 2015
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Berghof (A. Hitler). Obersalzberg, Bavarian Alps, Germany. 1924-1936. Destroyed between April and May 1945.
Mineral pigmented inkjet digital printing, cotton paper
Hahnemühle Photo rag, frame and glass. Edition 5 + 2P.A
Emilio Pemjean : Born in 1971 in Chile. Architect by the Higher Technical School of Architecture of Madrid.
In his work as an Architect he has been awarded in numerous architectural competitions, his work exhibited, published in books and magazines and received various awards such as: Toulouse Photo Contest, “AL Betrayal” EFTI Madrid, “FNAC Photography Contest” Madrid, etc. He conducted workshops with famous artists such as Chema Madoz, Ciuco Gutiérrez, Manuel Rufo, Jesús Micó, etc.
Measurements: W 143 x H 143 cm
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Totem designed by Alessandro Mendini (1931-2019), made of high-gloss glazed ceramic. Composed of three separate pieces that allow it to be disassembled. Pieces signed by the artist. Italy.
Measurements: Diameter 35 x H 185 cm
Alessandro Mendini was an industrial designer, architect, and painter who played an important role in the development of Italian design. Winner of the Compasso d'Oro in 1979, his designs are characterized by his interest in the mixture of different cultures and forms of expression. His works can be found in the permanent collections of the Museum of Modern Art and the Metropolitan Museum in New York and the Georges Pompidou Center in Paris.
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Domus: monthly magazine on architecture, interiors, design, art. English/Italian text n. 615, March 1981
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Chap
2008
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Jason Martin: He was born in Jersey, in the Channel Islands, in 1970 and lives and works between London and Portugal. He has a Bachelor of Goldsmiths, London (1993). Solo exhibitions include Thaddaeus Ropac, France (2018); Schauwerk Sindelfingen, Sindelfingen, Germany (2017); Gegenstandsfreier Kunst Museum, Otterndorf, Germany (2016); Peggy Guggenheim Collection, Venice, Italy (2009); Es Baluard Museu d'Art Modern i Contemporary de Palma, Mallorca, Spain (2008); Kunstverein Kreis Gŭtersloh, Gutersloh, Germany (2007); and Center of Contemporary Art of Malaga, Spain (2005).
Measurements: W 195 x D 195 cm
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Magenta color photograph of the series, “Flores de color”, technique with printing on photographic paper.
Monica Sanchez-Robles is a multidisciplinary artist currently living in Madrid, although he has lived for years in France and Italy. She has a degree in Fine Arts from the Complutense University of Madrid, from the BBAA of Granada, does her doctorate studies, continues her training in digital photography at the EFTI School of Photography in Madrid, and did her postgraduate studies at Parsons Paris School of Design in Paris. He has exhibited individually in galleries in Spain and France. In addition, he has exhibited collectively at various exhibitions and fairs in France, Spain, Miami, London and Switzerland.
Measurements: W 146 x D 6 x H 181 cm
Rug model "family" designed by rafa macarrón. handmade in natural fiber and 100% tencel. limited edition of 25 units. signed by rafa macarrón.
Measurements: 278 x 174 cm
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"No title"
Resin on wood
Fernando de Ana
If there is an art gene, Fernando de Ana (Talavera de la Reina, 1979) and a graduate in Fine Arts, carries it with him. Since he was born he has been surrounded by oil and pencils, spatulas and turpentine. He belongs to the third generation of a saga of artists that began at the beginning of the 19th century with his great-uncle, José Pérez, painter and first director of the Cádiz Museum of Art, and continued with his father, Juan Carlos Jiménez, also a painter and Doctor. in Fine Arts.
If his ancestors delighted in light and still lifes, Fernando de Ana has also wanted to explore other more contemporary languages, working first as an illustrator - he has received several international awards - and as a cartoonist, to later soak up design and the avant-garde Dutch, a pioneer country in this field, where he combined his artistic work with that of art director for more than a decade. His work has been exhibited in Prague, Bologna, Amsterdam or London, among other cities and has been selected and awarded in different art competitions.
From that transversality of influences and from that symbiosis of classic and avant-garde references, now comes his maturity as an artist. Away from his comfort zone, the artist opts for his own language in which emotions prevail over the metallic. His way of being in the world beats in his work: human relationships marked by sex, loneliness and melancholy, anxiety as a catalyst for art, obsessions spinning in a spiral, repetition of patterns, morbid agitated with tenderness infinite, the frustrated Innocence that still breathes, moving it as a motor. Fernando de Ana's work responds to a mature creative process, built over several decades exploring different formats, where material, meaning and feeling go in the same direction. 'Forbbiden carnal', his elegant series in resin and neon, has already become an exponent by combining without complexes an apparently cold material with geometric limits with the warmth and sensuality of light, in such a way that it has achieved that both elements exchange natures.
The author undresses through this meticulous technique and tells us about his inner world, his contradictions and his fears, all crossed by Eros and Thanatos, pleasure and pain, contradiction as the very genesis of life. Each work of 'Forbbiden Carnal' shows an aspect of sentimental relationships, an instant in the relationship with the other, always complex and necessary: the arrow of first eye contact, one's own vulnerability, seduction as a totem and motor, lies and the decadent, the caress as an antidote to loneliness. Nothing better than resin, color and the symbiosis of geometry with neon to express this entire sensitive universe, which not only seeks to connect with the beauty and the terrible of the viewer, but to seduce him as well.
W 150 x D 7 x H 150
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