Contemporary Italian Brutalist-style bench, composed of two solid oak legs with rounded upper corners and stepped vertical reliefs. The seat is upholstered in white wool bouclé.
PL19 “Tre Pezzi” model seats, designed by Franco Albini and Franca Helg in 1959. Vintage examples, Italy, circa 1970.
Crafted with a metal frame and hand-upholstered by LA Studio in Mongolian goatskin. The geometry of the metal contrasts with the softness and volume of the leather, accentuating the sculptural presence of this iconic Italian design.
Their value lies both in the uniqueness of the design and in their status as historical pieces, testaments to a pivotal era in 20th-century Italian design. The handcrafted upholstery adds a new material expression that enhances the character of these armchairs.
An iconic design of 20th-century Italian furniture, whose historical significance led Cassina to reissue it in 2008.
The Soriana sofa, designed by Tobia Scarpa and produced by Cassina, is a remarkable piece of 1960s Italian design. It features an elegant chromed steel frame and is upholstered in eco-friendly green fabric, combining style and comfort exceptionally well.
Afra (1937-2011) and Tobia (1935-) Scarpa, both graduates of the Venice Institute of Architecture, are renowned for their collaboration in design. Tobia initially worked with the Italian glass manufacturer Venini. Later, he and Afra founded their own design firm in 1960.
Throughout their careers, they collaborated with leading Italian and international brands, leaving a significant mark on furniture and architectural design. Their portfolio includes collaborations with Flos, Gavina, B&B Italia, Cassina, and Knoll International, as well as numerous interior design projects worldwide.
The Soriana Tobia sofa not only reflects Scarpa's innovative vision but also represents a lasting legacy in contemporary furniture design. Furthermore, it stands out for its distinctive design and globally recognized craftsmanship.
Measurements: W 170 x D 100 x H 35 / 65 cm
Bibliography
G. Gramigna, *Repertorio del Design Italiano 1950-2000 per l'Arredamento Domestico*. Turin: Allemandi, 2003, p. 318.
G. Bosoni, *Made in Cassina*. Milan: Skira, 2008, pp. 200-201.
MOR sofa designed by Javier Mariscal and Pepe Cortés for Akaba in 1986. Made with a stylized black lacquered metal structure, and a characteristic cylindrical backrest finished in black leather.
Seat reupholstered in a linen and cotton fabric with floral and bird motifs, creating a striking contrast of color and texture with the sobriety of the structure.
The MOR is a representative piece of Spanish postmodern design from the 1980s, recognizable by its elongated proportions, sculptural profile, and experimental nature. It's a piece with a strong presence for contemporary interior design and decoration projects, capable of serving as a focal point within a space.
The Bibambola sofa, designed by Mario Bellini (1935) for B&B Italia in the early 1970s, is upholstered in "Toile de Jouy" fabric, which we later embroidered by hand with birds, creating a unique and unrepeatable piece.
This sofa, with its soft and generous shapes, stands out for its comfort and style, thanks to its plush padding and enveloping curves. In line with Bellini’s philosophy of creating “intelligent” furniture that adapts to the body, the Bibambola sofa offers a seating experience that is as luxurious as it is inviting. Ideal for modern living rooms, its innovative design ensures it remains a timeless centerpiece.
Measurements: W 166 x D 89 x H 43/74 cm
References:
Domus n. 533, aprile 1974; C Fiell & P. Fiell, 1000 chairs, p. 400, Taschen, 2005.
Pair of “Pallone” model armchairs, designed by De Scheemaker for Leolux in 1989. This iconic model was created especially for the House of the Future, inaugurated in Rosmalen on June 20, 1989. A project that brought together some of the most innovative ideas about the home of the future.
The armchairs stand out for their rounded, futuristic silhouette. They feature a dark blue leather seat and a backrest reupholstered in a colorful geometric fabric in shades of orange, burgundy, white, and black. A designer piece with a strong personality, ideal as a focal point in contemporary, eclectic, or characterful interiors.
‘'How High the Moon', designed by Shiro Kuramata for Vitra in 1986, reinterprets the traditional Western armchair through an ethereal structure made entirely of nickel-plated steel mesh. Its familiar silhouette is stripped of any conventional frame or upholstery, leaving only a transparent outline that appears almost weightless.
Through its reflective surface and open construction, the chair creates a subtle tension between fragility and functionality. More than just a seat, it becomes a sculptural object that questions the boundaries between furniture, form, and space.
Set of four chairs designed by Warren Platner, Designed between 1968 and 1970, with a chromed steel frame and dark wool upholstery. Produced by Knoll.
Platner revolutionized American design in the 1960s with his iconic collection of sculptural furniture. His innovative use of hand-welded steel rods achieved a balance between aesthetics and functionality. The Platner chair, designed to envelop and complement the user, became a benchmark of modern design.
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