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VAT NOT INCLUDED

“Rastro VIII”, 2008.

Concha Prada.

Fotografía a color digitalizada.  Edición de 3.

Medidas: W 294 x H 130 cm

 

El proceso creativo de Concha Prada se mueve entorno a la interrelación entre lo fotográfico y lo pictórico. Desde la estricta utilización del lenguaje fotográfico desarrolla una reflexión sobre el espacio pictórico y la abstracción.

El ámbito temático de sus trabajos es el espacio doméstico, y el mecanismo que construye y sustenta sus fotografías es la instalación de un dispositivo pictórico en el seno de lo fotográfico.

Con este nuevo trabajo de fotogramas trata de llevar este mecanismo al limite.

Un fotograma es una fotografía sin cámara. Es la huella que deja un objeto o acción sobre el papel fotográfico impresionado por una fuente de luz. El proceso se realiza en oscuridad total, por lo que el resultado son fotografías a ciegas en las que el gesto y el azar juegan un papel fundamental.

Y es a través de este proceso, y utilizando un objeto del ámbito doméstico, una fregona, como desarrolla este nuevo trabajo, provocando un resultado que desdibuja los límites entre lo pictórico y lo fotográfico.

VAT not included

Souvenir 58 A . Ed. 1/5 ,2013
Digital printing and resin on dibond

Cesar Delgado

Medidas: W 150 x H 105 cm

 

The work of Cesar Delgado it could be compared to a scientific laboratory in which a world of tiny creatures is observed under a microscope. Meandering, twisted shapes intertwine in the fabric, delimiting paths with traces of coagulated liquid color. Like eels hatched in a tank of water, Delgado's signs vibrate with autonomous, independent life. Earthy browns mix with pure white and crawl through the space of the painting in twisted baroque convolutions. Suddenly, horizontal bands delimit and close the scene remembering that the scientific world is that of the artist where a precise, physically defined brushstroke takes us back to the world of the cold, impersonal and sharp brushstrokes of Lichtenstein.

It is the painting for the sake of painting, the abstraction for the abstraction, the work for the work. There is no pathos. Everything exists and can therefore be examined, studied like on an anatomy table. Delgado arranges the pieces of the painting for the autopsy of art history, acts as a paleontologist who breaks the stones so that fossil shells from the Jurassic period come to light. Spiral corneas, splintered bones, segments of foliaceous sheets vibrate in these slipped paintings of his own work in which a vague memory of Kandinsky merges with a problematic pop optic.

 

INDIVIDUAL EXPOSITIONS

2012    «Informatismo», Tomás y Valiente Art Center, Fuenlabrada
             «Informatism«, Space2. The Museum Gallery. Bogota Colombia

2010. «Informatismo», Fernando Pradilla Gallery, Madrid.

2009. Art Madrid Project Room

2007. “Derivados de Pintura”, Fernando Pradilla Gallery, Madrid.

2005. "Taxidermias", Fernando Pradilla Gallery, Madrid,.

2003. Dahl Gallery of Contemporary Art, Lucerne.

2002. Les filles du Calvaire Gallery, Paris.

1999 . Gallery Ars Vivendi, Munich.

1998. Valle Quintana Gallery, Madrid.

1997. Barrio y Valle Quintana Gallery, Madrid.

1994. MW Gallery, Madrid.

1993. Sala Pradillo, Madrid.

1988. Athenaeum of Madrid.

VAT NOT INCLUDED

“Evidence” sculpture made by Alexandre Arrechea (Trinidad, Cuba 1970). Sculpture made of resin. Signed and numbered 8/35 dated 2006.

Includes lacquered wooden base and methacrylate urn.

Sculpture dimensions : Diameter 30 cm

Dimensions: W 40 x  D 40 x H 140 cm

Jose María De Aurora

Colorphilia Caribe , 2023

Acrylic on canvas

 

The concept of his abstract and minimalist work evokes calm and serenity. The artist travels to a specific place and time with the different moving textures dressed in pure colours, giving his work an energetic prominence.

Inspired by the north of Spain, l'Empordà and the Costa Brava, José María de Aurora works with free and organic strokes that give his works a marked DNA. The handcrafted and rustic air created by the linen backgrounds, the pressed cottons and the textures based on aesthetic colour combinations provide warmth, tranquillity and elegance.

 

Measurements: W 104 x D 5 x H 104 cm

VAT not included

"Butterfly Painting" by Damien Hirst, 2009

Work in acrylic, framed in a methacrylate case with transparent sides and a wooden background in gold leaf that reveals the artist's signature on the back.

This piece of art was made to celebrate the opening of the PinchukArtCentre in kyiv, Ukraine on April 25-26, 2009. Butterfly Spin showcases the spontaneity and overall energy of the artist's creative process. According to Hirst it is a “huge explosion of energy, full of life, color and optimism”. The colors used are introduced into the canvas and then subjected to a mechanical rotation movement that extends them, creating a transition of colors, resulting in a unique work of art that becomes pure expression. With this artistic method Hirst imitates the action painting of Jackson Pollock.

Measurements: W 80 x D 5 x H 85 cm

VAT not included

“Geométrico romano VI, 2022”

Un kilo de verde

Miki Leal

Linocut on Somerset 410 gr. and Hahnemühle 350 gr. paper

Measurements : W 114x H 149 cm

 

AWARDS

2021 International Studio & Curatorial Program (ISCP), New York, USA. Grant awarded by the
Consulado General de España en Nueva York. Ministerio de Asuntos Exteriores, Unión Europea
y de Cooperación. Gobierno de España.
2016 1º Premio del 31º Premio BMW Pintura. Madrid, Spain.
Beca de la Academia de BBAA de San Fernando in Rome. Rome, Italy.
2013 1º Premio. I Premio Bienal de Pintura Rafael Boti.
2009 Beca Cajasol.
2007 Premio Altadis de pintura 2006.
2006 Beca caja Madrid Proyecto BBC.
2004 Beca, Ayudas a la Creación Artística Contemporánea de la Consejería de Cultura de la Junta
de Andalucía.
2002 1º Premio. Certamen Nacional de Arte joven (I.A.J.) Málaga.
1998 1º Premio para Artistas Jóvenes de la Fundación el Monte. Sevilla.

 

VAT NOT INCLUDED

“Rastro I”, 2008.

Concha Prada.

Fotografía a color digitalizada.  Edición de 3.

Medidas: W 230 x H 148 cm

 

El proceso creativo de Concha Prada se mueve entorno a la interrelación entre lo fotográfico y lo pictórico. Desde la estricta utilización del lenguaje fotográfico desarrolla una reflexión sobre el espacio pictórico y la abstracción.

El ámbito temático de sus trabajos es el espacio doméstico, y el mecanismo que construye y sustenta sus fotografías es la instalación de un dispositivo pictórico en el seno de lo fotográfico.

Con este nuevo trabajo de fotogramas trata de llevar este mecanismo al limite.

Un fotograma es una fotografía sin cámara. Es la huella que deja un objeto o acción sobre el papel fotográfico impresionado por una fuente de luz. El proceso se realiza en oscuridad total, por lo que el resultado son fotografías a ciegas en las que el gesto y el azar juegan un papel fundamental.

Y es a través de este proceso, y utilizando un objeto del ámbito doméstico, una fregona, como desarrolla este nuevo trabajo, provocando un resultado que desdibuja los límites entre lo pictórico y lo fotográfico.

VAT not included

 

“Azul II” , 2004

José Manuel Broto (Zaragoza 1949)

Acrylic on canvas signed, dated and titled on the back.

Measurements: W 300 x  H 251 cm

One of the most prestigious international Spanish artists.

Inició su formación en la Escuela de Artes y Oficios de su ciudad natal. En 1972 se establece en Barcelona y forma el grupo “Trama”, que edita una revista del mismo título, vehículo de sus teorías estéticas, presentada en 1976 por Antoni Tápies, lo que constituyó un espaldarazo para tan jóvenes creadores.

Eric Stefanski

Lets Fuck , 2022

Oil and acrylic on canvas

 

Eric Stefanski lives and works in Chicago. He studied at the School of the Art Institute of Chicago and received his MFA at the School of the Museum of Fine Arts Boston.

His work is a reflection on the failure, humour, and sincerity that comes with being an artist. He explores themes of modern society and art history while reflecting on his own personal history through large-scale abstract work that incorporates text

 

Measurements: 50 x 40 cm

VAT not included
“Derriere le Viridien 10”,  Rubén Rodrigo Silguero 2021
Oil on canvas

Measurements: W 180 x D 146 cm

“Rubén Rodrigo's work is a direct heir to the modernist tradition, understood as a process of purification of what is not substantial to the pictorial medium (that is, imitation or the literary). Starting from the division established by Lessing between artes del espacio and artes del tiempo, the critic Clement Greenberg built a sense of modernity linked to the specificity of the medium, which would be reflected in the abstract expressionists of the 1950s. These, in their search for a purely visual experience, hypothetically would be beyond the narrative, the time and, therefore, the time of life. In his rereading of that canonical modernism, Rubén Rodrigo also attends to the achievements that were devalued: for example, the symbolic intention, the stage presence, the record of time or the transcendental dimension of the image. He also works with diptychs, polyptychs or extensive series, an option with which he dislodges the apparently insurmountable imperative of the "last painting" represented, for example, by Ryman's white paintings or Reinhardt's black ones.

In his latest projects, abstract appropriation allows him to hold an interpretive exercise on various chapters of the tradition, from a humble position and open to constant discovery. Thus, El Greco is interested in looking at what constitutes his extravagant rarity, and that will be the subject of numerous historical and critical reviews, especially since Cossío's controversial monograph in 1908. Among his modern fidelities, American Abstract Expressionism and other nearby poetics are inescapable references, as is (neo) figurative painting. by Francis Bacon. "

Eric Stefanski

Fuck it , 2022

Oil and acrylic on canvas

 

Eric Stefanski lives and works in Chicago. He studied at the School of the Art Institute of Chicago and received his MFA at the School of the Museum of Fine Arts Boston.

His work is a reflection on the failure, humour, and sincerity that comes with being an artist. He explores themes of modern society and art history while reflecting on his own personal history through large-scale abstract work that incorporates text

 

Measurements: 50 x 40 cm

VAT not included

“Pintura de Historia (Piero en Arezzo) IV, 2022”

Un kilo de verde

Miki Leal

Linocut, monotype and etching. Printed on Somerset 410gr. paper.

Measurements : W 114x H 149 cm

 

AWARDS

2021 International Studio & Curatorial Program (ISCP), New York, USA. Grant awarded by the
Consulado General de España en Nueva York. Ministerio de Asuntos Exteriores, Unión Europea
y de Cooperación. Gobierno de España.
2016 1º Premio del 31º Premio BMW Pintura. Madrid, Spain.
Beca de la Academia de BBAA de San Fernando in Rome. Rome, Italy.
2013 1º Premio. I Premio Bienal de Pintura Rafael Boti.
2009 Beca Cajasol.
2007 Premio Altadis de pintura 2006.
2006 Beca caja Madrid Proyecto BBC.
2004 Beca, Ayudas a la Creación Artística Contemporánea de la Consejería de Cultura de la Junta
de Andalucía.
2002 1º Premio. Certamen Nacional de Arte joven (I.A.J.) Málaga.
1998 1º Premio para Artistas Jóvenes de la Fundación el Monte. Sevilla.

Eric Stefanski

Dance and chance , 2022

Oil and acrylic on canvas

 

Eric Stefanski lives and works in Chicago. He studied at the School of the Art Institute of Chicago and received his MFA at the School of the Museum of Fine Arts Boston.

His work is a reflection on the failure, humour, and sincerity that comes with being an artist. He explores themes of modern society and art history while reflecting on his own personal history through large-scale abstract work that incorporates text

 

Measurements: 50 x 40 cm

VAT not included

“Actual / Contemporáneo (Lacoste y Quico Rivas) IV, 2022”

Un kilo de verde

Miki Leal

Linocut, monotype and drypoint. Printed on Somerset 410 gr. paper.

Edition 4/6 + 1 PA

Measurements : W 114x H 149 cm

 

 

AWARDS

2021 International Studio & Curatorial Program (ISCP), New York, USA. Grant awarded by the
Consulado General de España en Nueva York. Ministerio de Asuntos Exteriores, Unión Europea
y de Cooperación. Gobierno de España.
2016 1º Premio del 31º Premio BMW Pintura. Madrid, Spain.
Beca de la Academia de BBAA de San Fernando in Rome. Rome, Italy.
2013 1º Premio. I Premio Bienal de Pintura Rafael Boti.
2009 Beca Cajasol.
2007 Premio Altadis de pintura 2006.
2006 Beca caja Madrid Proyecto BBC.
2004 Beca, Ayudas a la Creación Artística Contemporánea de la Consejería de Cultura de la Junta
de Andalucía.
2002 1º Premio. Certamen Nacional de Arte joven (I.A.J.) Málaga.
1998 1º Premio para Artistas Jóvenes de la Fundación el Monte. Sevilla.

Jose María De Aurora

Colorphilia Hermés , 2023

Acrylic on canvas

 

The concept of his abstract and minimalist work evokes calm and serenity. The artist travels to a specific place and time with the different moving textures dressed in pure colours, giving his work an energetic prominence.

Inspired by the north of Spain, l'Empordà and the Costa Brava, José María de Aurora works with free and organic strokes that give his works a marked DNA. The handcrafted and rustic air created by the linen backgrounds, the pressed cottons and the textures based on aesthetic colour combinations provide warmth, tranquillity and elegance.

 

Measurements: W 104 x D 5 x H 104  cm

VAT NOT INCLUDED

Self-portrait with Salvator Rosa, by Alfonso Albano, Ed 1/3, 2002. Perforated RC paper.

São Paulo, Brasil, 1964.

In his photographs, installations, projections and objects, Albano Afonso explores light, the intangible element that makes it possible to see the world. Afonso investigates the anatomy of light: its intensity or softness, its capacity to illuminate and darken, its sources, its symbolic and utilitarian uses and its beauty. In addition to light, time and, consequently, movement are the other elements from which he constructs his narrative. In the series "Self-Portrait as Light", he further explores his own identity reflected in windows and mirrors with the flash of the camera on, effectively replacing his head with an impressive explosion of pure light. In his recent mobile sculptures of bronze pieces, too, self-portraiture and time are the motifs of his interest.

Albano Afonso is also an active figure in the cultural scene of Sao Paulo. Together with his wife, the artist Sandra Cinto, he runs the Atelier Fidalga, a space for workshops and residences for artists that has become one of the places for meeting and thinking about most active contemporary art in Latin America.
Albano Afonso's work is represented in the 21c Museum Foundation's collections. Louisville. Kentucky, USA; cab. Art Center, Brussels, Belgium; Gilberto Chateaubriand Collection of the Museum of Contemporary Art of Rio de Janeiro; ARCO Foundation Collection, Spain; Galician Center for Contemporary Art, Santiago de Compostela, Spain; Pedro Barrié de la Maza Foundation, Vigo, Spain; Museum of Modern Art of São Paulo, Brazil and the University of Essex Collection of Latin American Art, England, among others.

Dimensions: 100 x 80 cm

VAT not included

Juan Francisco Casas

Serie Lanotteromana 2 Ed 60/75, 2009

Aquatint photoengraving with photopolymer.

Measurements: W 55 x D 45 cm

 

Juan Francisco Casas Ruiz 1976: He has had numerous individual exhibitions highlighting (He) artbroken (Jonathan Levine Gallery), Saturdaynigthbathroom, Bare (ly) there and Foreignaffairs, (A) utopic (Fernando Pradilla Gallery, Madrid, 2005, 2008, 2010, 2014 respectively), After (h) ours (El Museo Gallery, Bogotá, Colombia 2011), MyLovingNation (Ferrán Cano Gallery, Palma de Mallorca, 2007), Sacrebleu! (Galería Sandunga, Granada, 2006), Mis (s) behave (Sala Rivadavia, Diputación Provincial de Cádiz, 2006) and participated in the most important art fairs in the world, as well as in almost all editions of ARCO since 2002 Exhibitions in New York, Miami or Chicago to Seoul, Singapore, London, Paris, Mexico or Basel, among many others, have featured his work and he has received numerous national and international awards and scholarships.

VAT not included

Juan Francisco Casas

Serie The Parisian Picnic 2 Ed 24/75, 2009

Aquatint photoengraving with photopolymer.

Medidas:  W 38 x D 34 cm

 

Juan Francisco Casas Ruiz 1976: He has had numerous individual exhibitions highlighting (He) artbroken (Jonathan Levine Gallery), Saturdaynigthbathroom, Bare (ly) there and Foreignaffairs, (A) utopic (Fernando Pradilla Gallery, Madrid, 2005, 2008, 2010, 2014 respectively), After (h) ours (El Museo Gallery, Bogotá, Colombia 2011), MyLovingNation (Ferrán Cano Gallery, Palma de Mallorca, 2007), Sacrebleu! (Galería Sandunga, Granada, 2006), Mis (s) behave (Sala Rivadavia, Diputación Provincial de Cádiz, 2006) and participated in the most important art fairs in the world, as well as in almost all editions of ARCO since 2002 Exhibitions in New York, Miami or Chicago to Seoul, Singapore, London, Paris, Mexico or Basel, among many others, have featured his work and he has received numerous national and international awards and scholarships.

VAT not included

“El paisaje (La casa Bouvet) II, 2022”

Un kilo de verde

Miki Leal

Linocut, monotype and etching. Printed on Somerset 410gr. paper.

Measurements : W 114x H 149 cm

Medidas con marco : W 122 x H 157 cm

 

AWARDS

2021 International Studio & Curatorial Program (ISCP), New York, USA. Grant awarded by the
Consulado General de España en Nueva York. Ministerio de Asuntos Exteriores, Unión Europea
y de Cooperación. Gobierno de España.
2016 1º Premio del 31º Premio BMW Pintura. Madrid, Spain.
Beca de la Academia de BBAA de San Fernando in Rome. Rome, Italy.
2013 1º Premio. I Premio Bienal de Pintura Rafael Boti.
2009 Beca Cajasol.
2007 Premio Altadis de pintura 2006.
2006 Beca caja Madrid Proyecto BBC.
2004 Beca, Ayudas a la Creación Artística Contemporánea de la Consejería de Cultura de la Junta
de Andalucía.
2002 1º Premio. Certamen Nacional de Arte joven (I.A.J.) Málaga.
1998 1º Premio para Artistas Jóvenes de la Fundación el Monte. Sevilla.

English

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